Erica's eyes are fixed on a door that won’t swing open, waiting for a man who will never come back. It's 2024 outside, but in Hotel Dacia, the world’s a faded postcard from the past.
Daniel Bilici bought his first camera during a trip to the USA, sparking a passion for documenting life that turned into a decade-long routine of carrying a camera everywhere. After living in Sweden and Ukraine, he returned to Moldova following the Russian invasion, shifting his focus from pure documentation to artistic photography. Starting with street photography and protest reportages, he later began incorporating professional models, transforming familiar, unchanging places into imaginative new worlds.